3 Query Tips Every Editor Hopes you Forget

Anyone who has submitted a manuscript–from published pro to the first timer–knows the feeling that sets in the second you click “send” on the query letter email. Anxiety takes hold almost immediately. Did I miss a typo? Will she like it? Will she think my letter is too short, or too long? Maybe I should have read it one more time…

Who knows? Every editor’s taste is different. One may prefer YA realism to fantasy. Another may appreciate high-concept middle grade over school tales and picture books. Some editors only publish fiction or non-fiction. But we all agree that a thoughtful pitch is the best way to garner attention no matter the genre.

So as your finger trembles over the SEND button, try to keep these things in mind:

Read More

HAPPY INDEPENDENCE DAY!

HAPPY BIRTHDAY, AMERICA! Let’s hear it for free libraries and the right to read whatever we want. ❤️ In the spirit of independence, this photo courtesy of IndieBound.org.

 

UN-Monday: Ursula Nordstrom’s 5 tips for writing for children

The road to publication is long and filled with missteps and restarts. No one understood that better than Harper’s venerable children’s book editor, Ursula Nordstrom. Her correspondence, so thoughtfully curated in DEAR GENIUS (Marcus, 1998), is filled with revision advice for writers at every level of their careers.

In her September 27, 1961 letter to Fred Gipson, author of the Newbery Honor-winning young novel Old Yeller, she outlines five tips for writing books for children. In her note to Gipson, they are meant to help him expand and adapt an adult short story into a possible work for child readers. However, they are a nearly accidental road map for writers of young fiction, genius in their simplicity. I’ve even created a PDF below! Click UN’s list and download it to hang on the wall of your Writing Batcave.

Read More

UN-Monday: Why does it take so long to publish a book?

Editors rarely feel like they have enough time with a manuscript.

IMG_0008

Image courtesy Dasha Tolstikova

There is so much to do. Developmental editing comes first–working with the author to make sure the story is the best it can be. Does it build tension from the beginning? Is it engaging throughout? Does the ending leave the reader feeling differently than when she began? Is she satisfied? Curious? Left to wonder about herself or the world in a new way? What about illustrations? Who should illustrate? Which artist is best for this particular story? In her May 4, 1955 note to Janice May Udry, UN offers us a glimpse into why the editorial  process is arduous and lengthy.

Read More